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1. H.264 codec after effects cc 2015 how to#
2. H.264 codec after effects cc 2015 movie#
3. H.264 codec after effects cc 2015 drivers#
4. H.264 codec after effects cc 2015 full#
5. H.264 codec after effects cc 2015 pro#

(This makes things darker, but also messes up gradients.)

H.264 codec after effects cc 2015 drivers#

There is, apparently, an equivalent fix for ATI drivers (which requires modifying the Windows registry). Voila! H.264 videos are no longer washed out in your videos, on every video player.

H.264 codec after effects cc 2015 full#

In the NVIDIA Control Panel, go to Video Adjust video color settings and for each monitor you have (I happen to have four) select the display, and then change How do you make color adjustments? to With the NVIDIA settings and then in the Advanced tab change the Dynamic range from Limited (16-235) to Full (0-255). If you are using an NVIDIA graphics card on Windows, there is another possible solution for washed-out videos.

H.264 codec after effects cc 2015 how to#

If you have more information on how to get better results, please add a comment below, or email me (see “contact” above). The results are not perfect, but much, much closer.

H.264 codec after effects cc 2015 movie#

You should probably also check the “High Quality” checkbox (of course you want that!), though exactly what it does is not clear.Ĭlose the Movie Properties dialog, and save your movie as a new (self-contained) file. At this point you should see the colors change and get better! In the dialog that shows up, select the Video Track, go to the Visual Settings tab, and change the Transparency setting to “Straight Alpha”.

H.264 codec after effects cc 2015 pro#

(You need to purchase QuickTime Pro (for about $30) for the next step.) Under the Window menu in QuickTime Player choose “Show Movie Properties”. So far you will see NO change in your color. This is the most important step to perform in After Effects:Įxport your H.264 video using the settings you like, with the Color for your Video Output set to “Premultiplied (Matted)” and with Color Management off (same working space as your project): In the After Effects Project Settings dialog (under the File menu) turn on the checkbox for “Match Legacy After Effects QuickTime Gamma Adjustments”. As long as the working space and export color space are the same, you should be good to go. It does not matter if you do this by having no Color Working Space and export as pure RGB, or if you set your color space to sRGB and export as sRGB. The only fix that I found worked for me was: Here is a side-by-side picture of (a piece of) the After Effects project, and the result in QuickTime Player, VLC Media Player, and Windows Media Player, followed by the HSV values for the background color in each: (Windows Media Player on the other hand is a dark horse, displaying the correct brightness but over-saturating the result.) The darks are too bright, the saturation is too low. When I open it in QuickTime Player, or VLC Media Player, the colors appear massively washed out. Then I export the video to H.264 so I can get good quality, small file size, and a format that works well on YouTube. I load the AVI into Adobe After Effects (at which point the colors match what was on screen exactly). The AE team is pretty tiny, so putting their resources towards making AE work better at VFX, compositing, and motion graphics, and letting the Adobe Media Encoder team work on encoding things makes sense to me.I capture a video using Fraps. If you talk to a lot of the old-timers around here, they'll tell you that AE's h.264 encoder was buggy and didn't do a good job. Here's the Adobe Blog post about the removal: using Adobe Media Encoder to create H.264, MPEG-2, and WMV videos from After Effects So, I will work in CC 2015 to enjoy the snappier interface and then open that project file in CC 2014 to render it with multiprocessing (since my system can utilize that feature really well in most projects). This is because AE CC 2014 has multiprocessing. You can either render to an intermediate codec from AE or send your AE comp directly to the Adobe Media Encoder. After Effects no longer encodes directly into H.264 (it didn't do a great job of it in the past).